"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> Silence Loud
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angry glenn  ♥╭╮♥


The script was not like, ‘Okay, so Beth and Daryl are going to totally hook up,’ but when I watch the episode, it was like I kind of wanted that — which was what he [Norman] brings to it and what Emily brought to it - Greg Nicotero 

killbenedictcumberbatch:

xiumeme:

when your whole crew’s outfits are on point

image

i literally cannot think of a worse example than this

Joan found Shirley MacLaine’s character in the film deeply sad, passed around among the men in her office “like a plate of canapés.” As with so many other moments like this on Mad Men, Joan doesn’t seem to realize she’s speaking of herself as readily as the person she thinks she’s talking about. But this is clear by episode’s end. As the two get in the elevator to head down, Bert asks her to push the button for the lobby, and the connection between Joan and the movie character is clear: Both have wasted some part of themselves on men who, fundamentally, don’t love them, because they’re hoping for something better out of it and simply not finding it. And from the look on Joan’s face, she gets this just as well. (x)
thefingerfuckingfemalefury:

NIGHT TIME
TIME FOR A CAT PARTY
HUMAN
HUMAN DANCE WITH US 

thefingerfuckingfemalefury:

NIGHT TIME

TIME FOR A CAT PARTY

HUMAN

HUMAN DANCE WITH US 

emilianadarling:

IF YOU THINK FOR ONE SECOND THAT SLAPPING A HALLOWEEN WRAPPER ON SOMETHING IS GOING TO MAKE ME WANT IT MORE THEN YOU ARE absolutely correct i’ll take 50. 

emilianadarling:

IF YOU THINK FOR ONE SECOND THAT SLAPPING A HALLOWEEN WRAPPER ON SOMETHING IS GOING TO MAKE ME WANT IT MORE THEN YOU ARE absolutely correct i’ll take 50. 

emily kinney photoshoots - nylon magazine

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